by Bettina Andrianantoandro
Peníscola, Comunidad Valenciana, Spain on Flickr.
Curtains (1972) by Fred Herzog.
“Herzog estimates he has taken about 100,000 colour photographs (there are 30,000 black-and-white images too). They represent a priceless record of a city whose subsequent growth has to a great extent wiped out the place he first encountered. They were also artistically pioneering; he was shooting in colour at a time when serious art photography was all about black-and-white.
It would not be unfair to call Herzog’s images beautiful, yet they capture the less-than-pretty aspects of his adopted city. He chose to document the disenfranchised world of what is now Vancouver’s Downtown Eastside rather than the ocean and the mountains; the squalor rather than the cherry blossoms; the working-class reality rather than the tourist-brochure fantasy. His photos are often populated with the downtrodden, the marginalized, the forgotten, and members of minority communities that were more invisible than visible at the time.” - Marsha Lederman
via terresauvage.
Albanians sleep in the open air early in the morning at the border point of Qafa E Prushit by Joachim Ladefoged
via silfarione
Guinevere Van Seenus by Daniel Jackson
via irere,felixinclusis.
The autochrome, the earliest color (1907-1932)
“The autochrome process was invented during the years 1895-1903, by the French brothers Louis Lumière (1864-1947 and Auguste Lumière (1862-1954). It took them four further years to work out and refine the several fabrication processes. Finally in 1907 the autochrome plates came on the market and were an instant success. Until now, the photographers’ only way to produce color was tinting the plates by hand which was done by many photographers with breathtaking artistry.” via accidental mysteries